Selected Worklist (2010-now)

In progress

Untitled (2020/21) for string quartet

Solo

1. connecting (2021) for Solo Violin/Viola with Video, commissioned by Karin Nakayama
2. The Skeleton of SOUND (2019/20) for Solo Clarinet in Bb
3. Still Rolling, A. 40mm (2018/19) for Solo Prepared Marimba and Spring
4. ret(P)rospect (2017/18) for solo piano, with gratitude to Ricardo Descalzo
5. Introspection (2017) for solo accordion, dedicated to Iñaki Alberdi
6. FOCUS I-VI (2015/16) for solo 13-string koto, with gratitude to Naoko Kikuchi
7. Switch (2015/17) Version for solo clarinet in Bb 
8. Switch (2015/rev. 16) for solo alto flute (version 2015 commissioned by Malta Festival 2015) 
9. RESONATE (2014) for Percussion Solo
10. Circular Breathing for a guitarist (2014), revised version (2014/17)
11. Encounter (2012) for solo 17-string koto (Bass Koto)
12. Intimate+ (2011) for solo percussion
13. Sophisticated Passion (2010) for solo violin

Ensemble

1. Prelude Reexplored (2021) for Saxophone Quartet, commissioned by ARCIS SAXOPHON QUARTETT
2. Abstract Energy Etude 1 (2017) for Dizi (Chinese Bamboo Flutes) and Sheng (Chinese Mouth Organ), commissioned by Little Giant Chinese Chamber Orchestra
3. GRAVI-tration (2016/17) for Shakuhachi, Amplified Guitar (Temporary Prepared, Scordatura), Violoncello (Scordatura), and Piano, revised version: GRAVI-tration R (2016/17)
4. thoughts, reactions, and imaginable details (2016/17) for flute (bass flute), bass clarinet, violoncello, percussion, and conductor, revised version (2017)
5. Bare-bones I (2015) for accordion duo, dedicated to Duo Jeux d’Anches
6. BOND (2014) for Sheng (Chinese Mouth Organ), Daegŭm (Korean Transversed Bamboo Flute), and Percussion
7. Multi-Mono (2013) for baritone, 2 guitars, and electronic
8. RAW (2013) for 13 instrumentalists (Optional : dance), commissioned by MPO
9. Drops (2012) for guitar and alto flute (doubling piccolo)
10. Intimate III (2012) for guitar, percussion, violin, and violoncello
11. Intimate (2011) for Suling (Indonesian Bamboo Flute, doubling cha-chas) and Nicophone (large/tenor)
12. Transmutation in A (2010) for string quartet
13. Entangled (2010) for marimba, piano, and springdrum (doubling triangle)
14. Irony (2010) for solo to 6 performers (graphic score)
15. Silent Utterance (2010) for five percussionists

Orchestra

1. Ori-eclectic (2011) for orchestra in six groups and chamber ensemble

Unfinished works (to be completed)

1. ask, and then... / ? intro (2017) for accordion and string quartet

2. Gravity, Breathing, Transition, and Silence-intro (2017) Version for Alto Flute, Viola, and Contrabass

3. Gravity, Breathing, Transition, and Silence-intro (2016) Original Version for Daegŭm, Viola, and Contrabass

Pieces composed for trials and experimental purposes 

1. At-test series (2016) :

   • at-test I for Dizi and Sheng 

   • at-test II for Thai Traditional Musical Instruments (Khlui, Traditional Vocal, Saw-U, Traditional Percussions)

   • at-test III for Armenian Duduk Solo

   • at-test IV for Sheng and Zheng

   • at-test V (based on at-test IV) for various instrumentalists

2. LD1 (2014) for a pianist (amplified voice and temporary amplified + prepared piano) and electronics

3. Curiosity (2010) for children solo piano

4. Untitled (2010) for piano, video, and female voice (recite poem)